del més enllà
2024
Produced thanks to OSIC Grant, Es Far Cultural and Sala d’Art Jove
With the support of ACVic and CCGuinardó
del més enllà (from beyond) comes from wondering what space-time is like after death. By interviewing people from different generations about what they imagine the afterlife to be like, a multi-voice sound piece is produced which, through sound and body movement, tries to fictionalise what life after death is like.
Direction, choreography and sound design: teresa w ・*:。.。:*・゜゚・*
Sound production assistant: Martina Petric Morrison
Lighting design: Conrado Parodi
Costume: Bebé Espinosa
Photography (1 and 3): Irene Royo
Photography (2): teresa w ・*:。.。:*・゜゚・*
Photography (4-6): Carles Pastor
Video: Carles Pastor
Direction assistants: Estel Boada and Albert Gironès
Mentorship: Fito Conesa
Curatorship: amor rumor (Blanca Arias and Edu R. Pineda)
Acknowledgements: Martina Petric, Fito Conesa, Alba Mendoza, Júlia Suñer Coma, Albert Gironès López, Albert Gironès Vallverdú, Estel Boada, Mireia Cuesta, Diego Simone, Conrado Parodi, Noi Nadó, Sala d’Art Jove’s team and my father.
teresa w ・*:。.。:*・゜゚・* presents, amid stars and weightless wiring, the trace of a sound investigation with which one can rethink how space-time is articulated after death. What limits does a bodiless body have? What space does that which overflows space occupy? What overlapping times do we find beyond time? What does that which is no longer there sound like? Relating voices from different generations, the piece constructs a score of gestures or a choreography of sounds that invites us to imagine a speculative and polyphonic beyond. With sound as our guide, we cross the veil that separates the dead and the living, the visible and the invisible, to journey through nothingness in a collective ritual.
Curatorial text by amor rumor (Blanca Arias and Edu R. Pineda)
This initiative is promoted and funded by the Department of Enterprise and Employment, and co-financed by the European Union through the European Social Fund Plus.
